Amazed at these incredible embroidered pieces created by Salt Lake City-based artist Stephanie K. Clark. The artist considers herself a painter using a mixture of paint, chalk, pencil and thread. On her website she writes about her ‘thread painting’ craft as follows:
“The process of transforming string into art struck me as something visually stimulating with complex simplicity. My background in painting has allowed me to explore the material using techniques that derive more from the worlds of drawing and painting, engaging both traditional and innovative techniques in employing formal qualities with density, texture and pattern.”
“The embroidery floss is my palette and the needle is my paintbrush. I create a method of embroidering the threads in an arrangement that would initially create value, color, depth and as I lay the colors down they instantly blend themselves. This process has had its way with me, leading me from hobby to art. My work is an ode and influenced by the worlds of tapestry and my love for craft. Using thread instead of oils has allowed me to bring new purpose to my painting process. My work blurs the lines between fine art and craft.”
You can see more of her work on her website, Facebook and Instagram.
Images: Courtesy of Stephanie K. Clark.
Hard to ignore these paintings with thread created by French artist Julie Sarloutte. The graduate of the National School of Fine Arts in Paris focuses on embroidery to create these detailed pieces where the individual stitches appear to be paint strokes. Her work draws inspiration from what the world news is covering. In her own words she writes:
“In my work I mix elements of folk and everyday imagery, often violent: disasters, war, urban repression … omnipresent in the media. Reflecting the fascination of the screen, I take the time to embroider what usually happens in a split second.”
You can follow the artist on her website and on Facebook.
Images: Courtesy of Julie Sarloutte.
HIde Kawanishi was born in the international port city of Kobe, which inspired much of his work. He was a son of an affluent family of merchants but from childhood had always wanted to be an artist. He took a correspondence course in art from Tokyo but mostly he was self-taught, producing about a thousand print designs in his life. He is quoted on My Japanese Hanga as follows:
“I have never had a teacher of painting. I am absolutely self-educated and have painted what are not paintings. Having walked and found my own path, I am just what you may call a dilettante. I may complain about losing my youth, but there are things that I shall never lose such as innocent mind and thrills, creativity, originality, and a fresh sense of popularity and clarity. To become plain is the last thing I want to be.”
Images are from various sources.