Clairice Gifford is a designer and illustrator based in Salt Lake City, Utah. Her focus is in graphic design, surface pattern, lettering and illustration. Her work is influenced by her Swedish heritage, bright colors, travel and typography. In a Spoonflower blog she writes this about her work:
“I always start my designs with sketches in my notebook, but since I’m a graphic designer, most things eventually end up on the computer.”
The artist can be found on her website, Instagram, Behance and Dribble. She has an Etsy shop, Nifty Swank but she is currently on a short hiatus.
Images: Courtesy of Clairice Gifford.
Meloney Celliers is a paper crafter living in South Devon, England. Paper quilling has been around for hundreds of years but has recently experienced a revival as artists discover its creative possibilities. Celliers adds a new dimension to quilling by combining minimal black line illustrations with a burst of bright colored papers rolled and coiled into floral shapes. You can see more of her work on Facebook and Instagram.
Images: Courtesy of Meloney Celliers.
Okinawa-based artist Yusei Nagashima has been fascinated by fish since he was a child and every Friday for the last three years he has posted a beautiful renderings of aquatic creatures on his blog. His water color illustrations are not only detailed but shows his fascination of their expressions, colors, and their motions through the water. An interview on Gestalten blog gives us his view on nature and his painting technique:
“There are no clear boundaries between our lives and nature. Even big cities exist entirely within nature. Though we live in it, we cannot see it. Living inside of nature isn’t just touching it when we have a moment, nor protecting it carefully. Rather, we must push back against nature sometimes, and sometimes we must care for its fragility. We must think about our position as hums in nature and we should live alongside nature. I think fish and fishing reveal such relationship.”
“I use the same techniques to paint any fish. First, I look at its parts carefully and deconstruct its colors based on my color palette. Next, I paint each color using a wet-on-dry method. By overlapping the deconstructed colors, the final palette emerges. What I keep in mind is not to be consumed by reproducing the object as it is in front of me, but to express it exactly as it felt in my mind.”
You can see more of his incredible work on his website, Facebook, Tumblr and Instagram.
Images: Courtesy of Yusei Nagashima.