Visual artist Katy Ann Gilmore was originally from the Midwest but now lives and works in Los Angeles. She is influenced heavily by topography and the relationship between 2- dimension, perpendicular plane and their distortions into 3-dimensional space. On an interview with artist Lisa Congdon she says this about her process:
“I typically use Pigma Micron pens (usually size 005 for small drawings, and sizes 01 and 02 for larger ones). I’ve also been using watercolor, gouache (although I typically end up using the gouache in a wash-y way like watercolor), marker, or bottled ink. Depending upon the type of drawing, I may sketch a few things out, but I usually just let the drawing develop as it goes. This has been my method for the more topographical/mountain-y drawings. I love the mix of planned vs. unplanned parts in a piece. For these mountain pieces, if color is involved, I’ll sketch out the general idea in watercolor and lay the grid on top. But I welcome the little surprises that happen when drawing the grid. Parts of the drawing will recede, parts will come forward…so sometimes it becomes a bit of an intuitive and reactive process. That rigid/planned vs. unplanned/intuitive mix serves as a good metaphor for my interest in math and art I think.”
Images: Courtesy of Katy Ann Gilmore.