Category Archives: Collage

Matthew Harris on Cloth

MatthewHarris
Here are a few of Matthew Harris‘ work on cloth. On Contemporary Applied Arts he writes this about his work:

“I have never been interested in ‘perfect’ textiles. It’s the interruption of the patterned surface which excites me. Cloth made imperfect as a result of patches, tears, darns and frayed edges held together with purely necessary stitches; these are the qualities which motivate me to make work.”

“The work is constructed from basic cotton twill dust sheet which I mark simply by dribbling dye across the surface. In order to create the effect I want, I fold, pleat and cut the cloth. Additional pieces of cloth are then trapped between the cuts and layers and held in place by hand stitching.”

Images: Courtesy of Matthew Harris.

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Matthew Harris on Paper

MatthewHarrisonPaperUK-based textile artist, Matthew Harris, is widely recognized for his textile designs. However, we are featuring his work on paper on this post. His labor intensive fabric collages are dyed, cut and hand stitched but the process of drawing is essential to the finished pieces. He has developed a way to translate these markings and cartoons into cloth. Similar to his fabrics he cuts, patches, pleats and stitches paper to develop his abstract images. He tries whenever possible to exhibith both drawing and cloth together. We are posting some of his cloth work  above.

Images: Courtesy of Matthew Harris.

Jose Romussi

JoseRomussiChilean artist Jose Romussi creates intricate collages merging embroidery with photographs. The Berlin-based artist explains his work here on Mauger Modern:

“My work is a constant search to be able to express and represent my ideas. I know there is more that what is tangible and visible and I do not think everything has been done. Therefore, I am constantly exploring and discovering new techniques and materials. I want to give a new perspective to things that already exist and give a moment in time in the present to whatever has already been forgotten. I am interested on stitching the past and the present: all surfaces are penetrable.”

And also here in Fine Print Magazine:

“I was using painting in the beginning to represent my ideas like edible aniline. But I wasn’t happy with the result. I didn’t study art, so I started experimenting with different materials and surfaces until I found my own style through the embroidery technique. I did an interpretation with embroidery by chance in one of my paintings, and it felt more like my own style than the painting by itself.”

Images: Courtesy of Jose Romussi.

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